Monday, 10 November 2014

Practice


  • decide on final plan 
  • research surrealism fashion films 
  • gareth hugh
  • choose music for it 
  • create storyboard 
  • find still images that inspire me for frames of the film



music ideas:


Create storyboard based on my own personal dreams

use starting point for the film as a white painted model moving her head around - special effects to make this look overlapped. 


avatar - futuristic films  - out of body identity


- start off with dreams being a couple of seconds long and finishing being longer 


background music could just be soft airy noises with a person reading the poem 'a dream within a dream'

- breathing sound effects to open up, poem in the middle, breathing noises at the end to finish.

- include a colidascope as part of the dreams to flash onto maybe?
marco brambilla


dissertation practice ideas:

use marco bramble's 'ghost' 2 minute film as a starting point.
use same concept as this,
- white painted model slow motion moving around, many faces in the shot like horses surrealism pics
- do slow mo of a painted white model clip for ages then for a couple of seconds at a time throughout shoot to sharp shots of my dreams - frame of one dream, - fast forwarded?

every 20-30seconds clip will change to a dream that i have had fast forwarded slightly/edited to look weird and surreal.

weird music


Wednesday, 29 October 2014

fashion films

Photographer and filmmaker Jez Tozer and designer Omer Asim team up for the second time to showcase Asim's work in a fashion film. For Spring/Summer 2015, the designer took inspiration from his long-standing fascination with Zar - an ancient Sudanese underground trance sub-culture dealing with trauma, hysteria and relief. Tozer's film takes its story from the same starting point and features performance artist Millie Brown, a long-time collaborator of Tozer who is known for her work with Lady Gaga, amongst others. It explores the traditional Sudanese ritual that women undertake to purge themselves of their evil spirits and to exorcise their repression and sexual frustration.

I like the idea of this film with the film rewinding on the hair as it creates surreal movements.
The way in which the model moves.
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GARETH PUGH

'Chaos' in the second in a trio of fashion films featuring Gareth Pugh S/S 15. It represents a dark menacing vision; a Pagan anarchy







horst and dali

 


salvador dali and horst p
1939, the dream of venus














Monday, 27 October 2014




David Hockney





























Freud - unconciousness

The Unconscious

Main article: Unconscious mind
The concept of the unconscious was central to Freud's account of the mind. Freud believed that while poets and thinkers had long known of the existence of the unconscious, he had ensured that it received scientific recognition in the field of psychology. The concept made an informal appearance in Freud's writings.
The unconscious was first introduced in connection with the phenomenon of repression, to explain what happens to ideas that are repressed. Freud stated explicitly that the concept of the unconscious was based on the theory of repression. He postulated a cycle in which ideas are repressed, but remain in the mind, removed from consciousness yet operative, then reappear in consciousness under certain circumstances. The postulate was based upon the investigation of cases of traumatic hysteria, which revealed cases where the behavior of patients could not be explained without reference to ideas or thoughts of which they had no awareness. This fact, combined with the observation that such behavior could be artificially induced by hypnosis, in which ideas were inserted into people's minds, suggested that ideas were operative in the original cases, even though their subjects knew nothing of them.
Freud, like Josef Breuer, found the hypothesis that hysterical manifestations were generated by ideas to be not only warranted, but given in observation. Disagreement between them arose when they attempted to give causal explanations of their data: Breuer favored a hypothesis of hypnoid states, while Freud postulated themechanism of defenseRichard Wollheim comments that given the close correspondence between hysteria and the results of hypnosis, Breuer's hypothesis appears more plausible, and that it is only when repression is taken into account that Freud's hypothesis becomes preferable.[117]
Freud originally allowed that repression might be a conscious process, but by the time he wrote his second paper on the "Neuro-Psychoses of Defence" (1896), he apparently believed that repression, which he referred to as "the psychical mechanism of (unconscious) defense", occurred on an unconscious level. Freud further developed his theories about the unconscious in The Interpretation of Dreams (1899) and in Jokes and their Relation to the Unconscious (1905), where he dealt with condensation and displacement as inherent characteristics of unconscious mental activity. Freud presented his first systematic statement of his hypotheses about unconscious mental processes in 1912, in response to an invitation from the London Society of Psychical Research to contribute to its Proceedings. In 1915, Freud expanded that statement into a more ambitious metapsychological paper, entitled "The Unconscious". In both these papers, when Freud tried to distinguish between his conception of the unconscious and those that predated psychoanalysis, he found it in his postulation of ideas that are simultaneously latent and operative.[117]

Friday, 24 October 2014

http://www.slideshare.net/daniellefeige/surrealism-freud-and-the-world-of-dreams